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Fandango AMCTheatres. More Info. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. How did you buy your ticket? View All Videos 1. View All Photos Movie Info. When a beautiful first-grade teacher Olivia Williams arrives at a prep school, she soon attracts the attention of an ambitious teenager named Max Jason Schwartzman , who quickly falls in love with her.
Max turns to the father Bill Murray of two of his schoolmates for advice on how to woo the teacher. However, the situation soon gets complicated when Max's new friend becomes involved with her, setting the two pals against one another in a war for her attention. Wes Anderson. Barry Mendel , Paul Schiff. Owen Wilson , Wes Anderson.
Feb 5, wide. Jan 18, Touchstone Pictures. Jason Schwartzman Max J. Bill Murray Mr. Herman J. Olivia Williams Miss Rosemary Cross. Seymour Cassel Bert Fischer. Brian Cox Dr. Nelson Guggenheim. Mason Gamble Dirk Calloway. Sara Tanaka Margaret Yang. Stephen McCole Magnus Buchan. Ronnie McCawley Ronny Blume. Keith McCawley Donny Blume. Connie Nielsen Mrs. Kim Terry Mrs. Dipak Pallana Mr. Wes Anderson Director.
Owen Wilson Writer. Wes Anderson Writer. Wes Anderson Executive Producer. John Cameron Co-Producer. Barry Mendel Producer.
Paul Schiff Producer. Owen Wilson Executive Producer. Mark Mothersbaugh Original Music. Robert Yeoman Cinematographer. David Moritz Film Editor. Mary Gail Artz Casting. Barbara Cohen Casting.
David Wasco Production Designer. Andrew Laws Art Direction. Sandy Reynolds-Wasco Set Decoration. Karen Patch Costume Designer.
View All Critic Reviews Sep 20, Quirky, offbeat, and clever; everything we like about director Wes Anderson. We really don't know what's going to happen as the story plays out, in part because of how unique the characters are, and in part because the film plays as fantasy. Max Fischer Jason Schwartzman , a teenage boy at Rushmore Academy, acts as though he's a worldly middle-aged man, pursuing an improbably large number of extracurricular activities, writing plays, and not caring all that much about his studies.
Herman Blume Bill Murray , a wealthy businessman dissatisfied with his wife's adultery and his two boorish sons, is drawn to Max, and befriends him.
However, when the two of them begin vying for the same woman Olivia Williams , a rivalry develops. What's fascinating about the film is the interplay of these two characters.
Blume begins acting in all sorts of juvenile ways, which is an interesting mirror to how precocious Max is. The disillusionment Blume is going through, hammered home with a scene at his dingy, suburban pool where he does a cannonball after downing his whiskey and then stays underwater as it to escape from it all, is similar to the angst we might associate with an adolescent.
The breadth of Max's interests, his higher-level thinking about the important things in life, his audacious schemes, and the confidence he exudes pursuing a romance with a teacher or breezing down the hallway in his blazer, is like a powerful movie mogul or adolescent dream. The second uses traditional animation techniques.
This method is done through computer graphic animation or CGI techniques. Both can also be combined with other techniques and visual effects. Filming usually takes a relatively long time.
It also requires a job desk each, starting from the director, producer, editor, wardrobe, visual effects and others. There is also the term extras that are used as supporting characters with few roles in the film.
This is different from the main actors who have bigger and more roles. Being an actor and an actress must be demanded to have good acting talent, which is in accordance with the theme of the film he is starring in. The existence of a stuntman is important to replace the actors doing scenes that are difficult and extreme, which are usually found in action action films.
Films can also be used to convey certain messages from the filmmaker. Some industries also use film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a human being visualized in film.
The film itself is mostly a fiction, although some are based on fact true stories or based on a true story. There are also documentaries with original and real pictures, or biographical films that tell the story of a character. There are many other popular genre films, ranging from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, documentaries and others. The information was quoted from various sources and references.
Hope it can be useful. The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the s. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of , during which over half of all network prime-time programming would be broadcast in color.
The first all-color prime-time season came just one year later. In , the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. A show may be fictional as in comedies and dramas , or non-fictional as in documentary, news, and reality television.
It may be topical as in the case of a local newscast and some made-for-television films , or historical as in the case of many documentaries and fictional Movie. They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows. The program follows their lives and adventures. Before the s, shows except for soap opera-type serials typically remained static without story arcs, and the main characters and premise changed little. Because of this, the Movie could be broadcast in any order.
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