Sometimes a duo is formed with a 'biula', a local violin. A Taosug woman plays the gabbang. The resonating case, decorated with floral motives Kulintang a Kayo This is a wooden xylophone of the Maguindanao people. Made of soft wood such as bayug, the kulintang a kayo is a common found among Maguindanaon households with a musical background. Agung — is a set a two wide rimmed bossed- gongs hangs from horizontal pole or wooden frame.
The larger, lower pitched gong of the two is called the pangandungan by the Maguindanao and the p'nanggisa-an by the Maranao. Played on the musician's right, it provides the main part, which it predominantly played on the accents of the rhythmic structure. The smaller, higher pitched gong, the thicker of the two, is called the panentekan by the Maguindanao and the p'malsan or pumalsan by the Maranao.
The agung is usually performed while standing beside the instrument, holding the upper edge of its flange between the thumb and other fingers with the left hand while striking the knob with the right hand. The mallets, called balu, are made from short sticks about half a foot in length and padded with soft but tough material such as rubber at one end.
Gandingan - is a set of four small narrow- rimmed and suspended gongs. They hang in pairs with the knobs of the lower pitched gongs facing each other.
The same with the two higher pitched gongs. The pair of lower pitched gongs is positioned on the player's left side while the pair of the higher pitched gongs is on the right. The player usually a woman who stands between the two pair of gongs. Her body touches slightly the gong in the middle to prevent from swinging.
She uses two padded mallets Gandingan When integrated into the ensemble, it functions as a secondary melodic instrument after the main melodic instrument, the kulintang. When played solo, the gandingan allows fellow Maguindanao to communicate with each other, allowing them to send messages or warnings via long distances. Babandil It is struck with thin bamboo sticks to produce a metallic sound.
There are three ways to play the babendil. The Maguindanaon and the Banuwaen use it in the rice paddies to guard against voracious birds, using the sound it produces to scare them away.
The Maguindanaon and theBukidnon also use it for simple dance rhythms during social occasions. Kulintang a Tiniok is a type of Philippine metallophone with eight tuned knobbed metal plates strung together via string atop a wooden antangan rack. Kubing —it is a bamboo jaw harp of Tiruray. These have become one of the most popular jaw harps internationally due to their highly responsive sound and ornate designs.
In the hands of a good player the kubing is capable of a vast number of sounds and timbres. This kubing was collected in Manila in Kubing Ethnic group: Atta Location: SE Mindanao Classification: Idiophone, jaw harp Description Made of bamboo; Made of bamboo; the instrument is held horizontally with the bamboo tongue in front of the opened mouth.
The left end is hit by the thumb of the right hand. This makes the bamboo tongue vibrate which causes a sound. The mouth serves as a resonator and by changing the shape and size of the mouth opening, the overtones can be changed, thus creating a melody. By strongly breathing in or out the volume can be changed as well. Dimensions: length: 20,8 cm. Quintik Ofong plays the kubing T'boli See how a process-centric quality design dramatically simplifies and accelerates document navigation and access.
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